The Bishop Orders His Tomb at St. Praxed’s Church MCQs and summary

By: Prof. Dr. Fazal Rehman | Last updated: June 10, 2025

Summary:

Robert Browning’s “The Bishop Orders His Tomb at St. Praxed’s Church” is a dramatic monologue written in 1845. The poem features a corrupt and materialistic Renaissance bishop on his deathbed, giving detailed instructions about how he wants his tomb to be constructed. He is obsessed with wealth, status, and legacy, showing little concern for spiritual matters. His monologue reflects the hypocrisy of the Church during the Renaissance, as he envies his rival, Gandolf, and desires an extravagant tomb to outshine him. The poem critiques religious corruption, vanity, and the human obsession with legacy.
The Bishop Orders His Tomb at St. Praxed’s Church
The Bishop Orders His Tomb at St. Praxed’s Church
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1. : What type of poem is “The Bishop Orders His Tomb at St. Praxed’s Church”?





2. : Who is the speaker in the poem?





3. : What is the main concern of the bishop in the poem?





4. : Whom does the bishop envy in the poem?





5. : What does the bishop want his tomb to be made of?





6. : What does the bishop’s obsession with his tomb symbolize?





7. : What is ironic about the bishop’s speech?





8. : What does the poem critique?





9. : What literary device is used in the poem to expose the bishop’s hypocrisy?





10. : What is the tone of the poem?





 
Question Answer
Poem Name The Bishop Orders His Tomb at St. Praxed’s Church
Poet Robert Browning
Year Written 1845
Year Published 1845
Poem Type Dramatic Monologue
Verse Form Blank Verse
Setting A church in Renaissance Italy
Main Character A corrupt bishop
Themes Religious Hypocrisy, Vanity, Death, Power, Materialism
Tone Darkly humorous, Ironic, Cynical
Famous Quote “And then how I shall lie through centuries, / And hear the blessed mutter of the mass”
Main Conflict The bishop’s concern with his tomb vs. his supposed spiritual duty
Structure Continuous blank verse with a conversational style
Legacy A powerful critique of Renaissance Church corruption, highlighting Browning’s mastery of dramatic monologue
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